Services

Cultural Preservation Technologies offers the highest-resolution photography of artworks, sculpture, objects, negatives, valued documents, rare book digitization and installation views. Our services for institutions, galleries, archives, estates, artists and collectors are used for online and print publication, research, education, catalog raisonne and risk management. We specialize in the digital documentation of art with precise color management and clarity.

Our archival handling and state of the art photography ensures exceptional accuracy that exceeds four-star FADGI guidelines. We use Hasselblad’s highest resolution 16 bit 100 megapixel medium format H6D400MS and X2D100C camera systems integrated with Broncolor lighting, calibrated Eizo monitors and Apple Studio computers.

Our climate controlled studio is located in Connecticut, convenient to both New York and Boston. We work with a team of art handlers in our studio, in Manhattan and on site at any location. We offer secure pick-up and delivery of artworks and archives in Manhattan and throughout the tri state area.

 Brandon Dole at Cultural Preservation Technologies, Hasselblad H6D 400MS Camera, Sol LeWitt, Maquette for Wall Drawing #1128.

Sol LeWitt, Horizontal Progression, Detail, 1993. Cultural Preservation Technologies Studio, 2019. Sol LeWitt, Maquette for Concrete Block Structure,1990. Horizontal Progression. Detail, 1993. Open Cube Structure, 1985. © Estate of Sol Lewitt.

  Sol LeWitt, Horizontal Progression,1993. Video, 2020

Shooting Horizontal Progression video, Cultural Preservation Technologies Studio, Chester, Ct. 2020

 Sol LeWitt, Maquettes for Concrete Block Structures. © Estate of Sol LeWitt

Sol LeWitt, Wavy Brushstrokes, 1996. © Estate of Sol Lewitt, Robert Mangold, Four Triangles Within a  Circle I,1974. LeWitt Collection, Chester Ct. Stuart Davis, Colonial Cubism,1954

Claes Oldenburg, Bunting, 1961

 Adger Cowans, Untitled, 1980

Gerrit Rietveld, Red and Blue Chair, 1923. Berlin Chair, Hoge Armchair, 1919. Charlotte Perriand, Maison de la Tunisie bookshelf,1952

Jean Louis-Ducis, Amelia Hayden Champlin, 1818. Monumental Clear Cut Glass Compote, Anglo-Irish, 1820

18th C. Bank Ledger,1799

Sol LeWitt, Run lV, 1962. Wall Grid,1964. © Estate of Sol Lewitt.

Tom Doyle, Sedentary Taurus; Rally Al Round; Green Iron, 1964-65

 Tom Doyle, Maquette. Jody Dole at Tom Doyle Studio 2022. Trunk Cover. Tom Doyle, Ballincollig, Oak & Maple, 2002.

Franz West, Untitled, 1988. Joel Shapiro, Untitled, 1978. Helga Natz, Untitled, nd. Maurizio Nannucci, El Possible Plan De Lo Impossible, 1973. Jackie Ferrara, Slated Pyramid. Tony Smith, The Elevens Are Up, 1963. Untitled, nd. Helga Natz, Untitled, nd.

Tom Sachs, Nasablad, 2008

Sol LeWitt, Working Drawing for Wall Drawing #999, Detail, 2001. Cultural Preservation Technologies Studio, 2019. Sol LeWitt, Wall Drawing #999, Detail, 2001. © Estate of Sol Lewitt.

Abbe Dole, Rilke’s Arrow, Acrylic paint and pencil on paper, 2019. Janet Passehl, River True Shadows, 2012. Emily Kngwarreye, Untitled, 1995

Marco Breuer, Chromogenic paper.

 Pat Steir, Drawing Lesson Part 2, Etchings with drypoint, 1978.

 Adger Cowans, Untitled

  Sol LeWitt, Curved Lines in Four Directions with Black Grid, 1992

Brenda Miller, Diagonal Alphabet, 2000. Robert Ryman, Untitled,1964

  Renee Gladman, Novel Tectonics #3, 2022

Gene Beery, Howdy Podners,1960. © Gerald Jackson, Untitled,1988

 Sol LeWitt, Williams College Museum of Art, The Well Tempered Grid, 2012

 Sol LeWitt, Williams College Museum of Art, The Well Tempered Grid, 2012

 Sol LeWitt, A Retrospective, 2000. Book still life images only.

 Sol LeWitt, Artist books digitization. LeWitt Collection, Chester Ct.  

  Artist library book digitization. Ursula von Rydingsvard Studio.

 The Noguchi Museum.

 Jedd Novatt, Selection of sculpture images. Brandon Dole, 2019. Chaos Moscow 3, 2008

Sol LeWitt, Working Drawing for Wall Drawing #821, 2000. Working Drawing for Structure, 1965. Distorted Cubes, 2001. ©Estate of Sol LeWitt.

Sol LeWitt, Wall Drawing instruction. Working Drawing for Cube, Nd., ©Estate of Sol LeWitt.

 LeWitt Collection, 2020. Brandon Dole at CPT Studio, 2020. Sol LeWitt, Wavy Brushstrokes, Gouache on Paper, 1995. © Estate of Sol LeWitt. CPT Studio, 2020

 Sol LeWitt, Incomplete Open Cube 9-5, 1974, Conservation print. © Estate of Sol Lewitt.

Bernar Venet, Four Arcs of 219.5 Degrees, 1999. 82.5 Arc X 9. Photographing the artworks on location 2020

 Bernar Venet, Random Combination of Undetermined Lines, 1993. LeWitt Collection, Chester Ct. Two Indeterminate Lines, 2006

 Private Collection, On location, NYC, 2023

 Sol LeWitt, Doubles in Black and Gray, 1983, Brushstrokes in Different Colors in Two Directions,1993, Installation views, NBMAA.

 Sol LeWitt, Lines and Color, 1975

 © Estate of Chuck Close.

 Chuck Close, Whitney Museum of American Art. 2015

Chuck Close, Keith, 1970. Brandon Dole with Chuck Close archive, 2020. Keith, Detail, Phil with Flowers,1980. Jacquard tapestry, 2009, CPT Studio, 2020 

 Chuck Close, Archive box, Phil, 1969. Self Portrait, Polaroid negative, Contact sheets.

 Famous Photographers School Archive, 1963

 Famous Photographers School Archive, 16MM, 1963

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